10 Comedic Monologues for Girls

30 mins read

Hello Ladies! After entering into this industry, we have all been faced with the difficult question of ‘am I funny?’ Many type casting scenarios rarely use this word. Instead us women have notoriously been put into the ‘sultry and daring,’ box, over sexualized or straight up portrayed as ‘the bossy single mother who works two jobs and thinks she will never find love.’ Or, ‘the stand off-ish workaholic who hates men but is career obsessed.’ Or, ‘the quirky best friend who is jealous of her best friend’s boyfriend and is secretly in love with them.’

To summarize, for years we have been written into stories as stressed out damsels needing to find love in order for all of our problems to go away.

But .. what about having a sense of humour? The comedic relief? We can still work hard, find love, and have a little laugh in between right?

Yes we can. Oh yes.

Listed below are ten hilarious, laughable, and oh so outrageous monologues to get your comedic rhythm going 😉

10 Comedic Monologues For Girls

,1) Bachelorette by Leslye Headland – Regan’s Monologue ‘CAN I SAY SOMETHING?!’

Scene Three
Thirty minutes later.
The suite is empty as it was. A disaster.

After a moment, Regan emerges from the bedroom. A bed sheet wrapped around her. She goes for the coffee and gulps a mug full. The coffee is ice cold so she instantly opens her mouth and coffee spills all over he chest.

REGAN: Shit. Fuck. (Her cell phone catches her eye. She looks at it.) Douchebag. (She makes a call. Into the phone. ) What?!… Why the fuck are you calling me a million times? … It was on vibrate …I’m at Becky’s thing. I told you we would be out late … You go out every fucking Saturday with your meathead friends and I go out once … ONCE in the last six months and you give me shit for it … Uh huh .. Yeah … Well, I don’t care … because you’re an idiot … Yeah … I TOLD you we’d be OUT late … (She see’s Joe’s bowl, She finds a lighter and takes a hit. Into the phone.) You don’t care anyway… your residency my ass-fuck-face … No, I’m not smoking … I’m NOT SMOKING … I Fucking quit three years ago .. for you .. and you don’t trust me … thats what this comes down to … You … you … CAN I SAY SOMETHING?! (Jeff enters from the bedroom. He’s practically dressed. He picks up a coffee as well. He spits it back into the cup. Into the phone) Can I say one thing at this juncture before you start acting like … LISTEN! If you can’t trust me, then I don’t know what the fucking point of me EVER leaving the house … I’ll just bake a casserole and then lie around with my legs open until you feel like … YOU ARE SUCH A BABY! … That’s stupid … Well, I think you’re stupid … I’ll be home when I feel like coming home … FINE! MAYBE I WILL! (She hangs up and tosses the cell phone away.)

2) The Last of the Red Hot Lovers By Neil Simon – Elaine’s Monologue- ‘You Hypocrite!’


You hypocrite! You soul-searching, finger-smelling, hypocritical son of a bitch! Who are you to tell anybody how to go through life? What would you have done if I came in here all fluttery and blushing and ‘Ooh, Mr Cashman, don’t put your hand there, I’m a married woman’? Were you going to tell me how much you respect me? You know damn well tomorrow you’d be back behind that counter opening clams and praying to Christ I’d never come back in your restaurant. And you know something? That’s the way it should be. Forgive me for the terrible, sinful thing I’m about to say but I happen to like the pure physical act of making love. It warms me, it stimulates me and it makes me feel like a woman – but that’s another ugly story. That’s what I came up here for and that’s what you were expecting. But don’t give me, ‘When I was nine years old my mother ran off with the butcher and I’ve been looking for someone to love me ever since.’ I don’t know your problems and I don’t care. Keep your savory swordfish succotash stories to yourself. No one really cares about anything or anyone in this world except himself, and there’s only one way to get through with your sanity. If you can’t taste it, touch it or smell it, forget it! If you want a copy of that speech, send fifty cents and self-addressed envelope –

It’s getting late … and I have to feed the lion at six..

Don’t waste your time. We’re incompatible. You need Joan Fontaine and I need a box of lozenges.

3) THE CHERRY ORCHARD By Anton Chekhov- Lyuba Ranevsky Monologue, ‘Oh My Sins!’

“Oh, my sins…. I’ve always scattered money about without holding myself in, like a madwoman, and I married a man who made nothing but debts. My husband died of champagne—he drank terribly—and to my misfortune, I fell in love with another man and went off with him, and just at that time—it was my first punishment, a blow that hit me right on the head—here, in the river… my boy was drowned, and I went away, quite away, never to return, never to see this river again…I shut my eyes and ran without thinking, but he ran after me… without pity, without respect. I bought a villa near Mentone because he fell ill there, and for three years I knew no rest either by day or night; the sick man wore me out, and my soul dried up. And last year, when they had sold the villa to pay my debts, I went away to Paris, and there he robbed me of all I had and threw me over and went off with another woman. I tried to poison myself…. It was so silly, so shameful…. And suddenly I longed to be back in Russia, my own land, with my little girl…. [Wipes her tears] Lord, Lord be merciful to me, forgive me my sins! Punish me no more! [Takes a telegram out of her pocket] I had this to-day from Paris…. He begs my forgiveness, he implores me to return…. [Tears it up] Don’t I hear music? [Listens.]”

4) WOMEN OF MANHATTAN by John Patrick Shanley – Judy Monologue ‘I Will Dream On!’

Judy: I will! I will dream on. Because that is exactly what I am talking about. My dreams. Which you do not know. And which you don’t think are important enough to know. Do you think this body is something? What a joke! Any great poet the last three thousand years will tell you what a joke that is! This stuff, this flesh, this heavy breathing … We have this aptitude in our hearts and brains and souls to arrive at something so rich and inflamed and unspeakable and sacred and New! Not this tired shit you want to foist on me. That’s not what I want. I won’t give up my standards! I know what I know. If I tried to live on the kind of things you’re offering me, I’d starve to death. You’ve got to dig for treasure, Duke! Not settle for the stuff just lying out on the ground. You could sleep with me if you weren’t so god damn lazy and narcissistic and were willing to exert yourself a little and show some interest in the actual core of another human being! But you will not sleep with me because I will not perform a stupid mechanical pantomime, like I was trying and failing to remember something fine, something from a better world, something alien and beautiful and lost! What, you look vacant, don’t you get it? I’ll give it to you in a nutshell. I’ll give it to you in basic modern American: I’m not interested in the hardware without the software. Look, let’s just let this fall apart, okay? Don’t hang around for the sake of neatness. I’ll get the check. It was worth that much to me to have my say.

5) “I can’t open sardines and answer the phone…” – Dotty Otley from ‘Noises Off’

Monologue Length: 1:10 – 1:25

“It’s no good you going on. I can’t open sardines and answer the phone. I’ve only got one pair of feet. Hello…. Yes, but there’s no one here, love…. No, Mr. Brent’s not here…He lives here, yes, but he don’t live here now because he lives in Spain… Mr. Philip Brent, that’s right…. The one who writes the plays, that’s him, only now he writes them in Spain… No, she’s in Spain, too, they’re all in Spain, there’s no one here… Am I in Spain? No, I’m not in Spain, dear. I look after the house for him, but I go home at one o’clock on Wednesday, only I’ve got a nice plate of sardines to put my feet up with, because it’s the royal what’s-it’s called on the telly — the royal you know — where’s the paper, then? And if it’s to do with letting the house then you’ll have to ring the house-agents, because they’re the agents for the house…. Squire Squire, Hackham and who’s the other one…? No, they’re not in Spain, they’re next to the phone in the study. Squire, Squire, Hackham, and hold on, I’ll go and look. Always the same, isn’t it. Soon as you take the weight off your feet, down it all comes on your head.”

6) “I got a ‘C’ on my coathanger sculpture?” – Sally Brown from ‘You’re A Good Man, Charlie Brown’

Monologue Length: 1 Minute

“A ‘C’? A ‘C’? I got a ‘C’ on my coathanger sculpture? How could anyone get a ‘C’ in coathanger sculpture? May I ask a question? Was I judged on the piece of sculpture itself? If so, is it not true that time alone can judge a work of art? Or was I judged on my talent? If so, is it fair that I be judged on a part of my life over which I have no control? If I was judged on my effort, then I was judged unfairly, for I tried as hard as I could! Was I judged on what I had learned about this project? If so, then were not you, my teacher, also being judged on your ability to transmit your knowledge to me? Are you willing to share my ‘C’? Perhaps I was being judged on the quality of coathanger itself out of which my creation was made…now is this not also unfair? Am I to be judged by the quality of coat hangers that are used by the drycleaning establishment that returns our garments? Is that not the responsibility of my parents? Should they not share my ‘C’?”

7) “Do you know what I intend?” – Lucy Van Pelt from ‘You’re A Good Man, Charlie Brown’

Monologue Length: 1 Minute

“Do you know what I intend? I intend to be a queen. When I grow up I’m going to be the biggest queen there ever was, and I’ll live in a big palace and when I go out in my coach, all the people will wave and I will shout at them, and…and…in the summertime I will go to my summer palace and I’ll wear my crown in swimming and everything, and all the people will cheer and I will shout at them… What do you mean I can’t be queen? Nobody should be kept from being a queen if she wants to be one. It’s usually just a matter of knowing the right people.. ..well…. if I can’t be a queen, then I’ll be very rich then I will buy myself a queendom. Yes, I will buy myself a queendom and then I’ll kick out the old queen and take over the whole operation myself. I will be head queen.”

8) The Importance of Being Earnest – Lady Bracknell

Monologue Length 2 Mins

LADY BRACKNELL: Well, I must say, Algernon, that I think it is high time that Mr. Bunbury made up his mind whether he was going to live or die. This shilly-shallying with the question is absurd. Nor do I in any way approve of the modern sympathy with invalids. I consider it morbid. Illness of any kind is hardly a thing to be encouraged in others. Health is the primary duty of life. I am always telling that to your poor uncle, but he never seems to take much notice . . . as far as any improvement in his ailment goes. Well, Algernon, of course if you are obliged to be beside the bedside of Mr. Bunbury, I have nothing more to say. But I would be much obliged if you would ask Mr. Bunbury, from me, to be kind enough not to have a relapse on Saturday, for I rely on you to arrange my music for me. It is my last reception, and one wants something that will encourage conversation, particularly at the end of the season when every one has practically said whatever they had to say, which, in most cases, was probably not much.

9) A Matter of Husbands

Monologue Length 4 Minutes

FAMOUS ACTRESS: It happens to every actress who is moderately pretty and successful. It’s one of the oldest expedients in the world, and we actresses are such conspicuous targets for it! There is scarcely a man connected with the theater who doesn’t make use of us in that way some time or another–authors, composers, scene designers, lawyers, orchestra leaders, even the managers themselves. To regain a wife or sweetheart’s affections all they need to do is invent a love affair with one of us. The wife is always so ready to believe it. Usually we don’t know a thing about it. But even when it is brought to our notice we don’t mind so much. At least we have the consolation of knowing that we are the means of making many a marriage happy which might otherwise have ended in the divorce court. [With a gracious little laugh] There, dear, you mustn’t apologize. You couldn’t know, of course. It seems so plausible. You fancy your husband in an atmosphere of perpetual temptation, in a backstage world full of beautiful sirens without scruples or morals. One actress, you suppose, is more dangerous than a hundred ordinary women. You hate us and fear us. None understands that better than your husband, who is evidently a very cunning lawyer. And so he plays on your fear and jealousy to regain the love you deny him. He writes a letter and leaves it behind him on the desk. Trust a lawyer never to do that unintentionally. He orders flowers for me by telephone in the morning and probably cancels the order the moment he reaches his office. By the way, hasn’t he a lock of my hair? They bribe my hair-dresser to steal from me. It’s a wonder I have any hair left at all. And hasn’t he left any of my love letters lying around? Don’t be alarmed. I haven’t written him any. I might have if he had come to me frankly and said: “I say, Sara, will you do something for me? My wife and I aren’t getting on so well. Would you write me a passionate love letter that I can leave lying around at home where she may find it?” I should certainly have done it for him. I’d have written a letter that would have made you weep into your pillow for a fortnight. I wrote ten like that for a very eminent playwright once. But he had no luck with them. His wife was such a proper person she returned them all to him unread.

10) Brilliant Traces by Cindy Lou Johnson

Rosanna Monologue ‘Why didn’t you answer the door?!’

Loud Knocking on the Door

Rosannaapproaches the cabin door wearing a tattered wedding dress

(from outside): ‘Hello! Is anyone there?? Let me in! Im in very serious trouble!’

Bursts through the door, notices Henry Harry standing inside his cabin, shocked.

Rosanna: ‘Why didn’t you answer the door?! I could’ve frozen to death! My death would have been on your hands had that been the case! It’s something like 200 degrees below out there with wind chill and I’ve been walking for over an hour. My car died, dead. I left it out there, its probably totally buried somewhere in the snow. Somewhere – do you mind if I have a drink?

Sighs, takes a drink.

‘Im nearly frozen and I also may be suffering from frostbite of the extremities like my toes and fingers but I was able to keep my fingers from falling off by sticking them in my armpits. I saw that on a TV Movie once. There was this guy and he was in a skiing accident, immobilized and they were taking forever to get him a stretcher or something and so he asks this beautiful nurse who conveniently happened to be there I mean she couldn’t do something because he was freezing to death but she stuck his fingers in his armpits. That’s how she saved him! He fell in love with her then and there and they married later in the show. You know this is always the story of my life. I have to play all the roles, I have to be the one in trouble and the nurse too, sticking my own fingers in my own armpits, saving myself. But the problem is you can’t stick your feet anywhere you know not if you want to keep walking.

Im sorry, do you mind if I just –

Takes another drink.

Sighs* Ohh, so – this is Alaska! Oh my lord, It is harder to believe than I can even say that I am so much as alive. When my car died I could just hear the wind, I could just hear it and the snow was falling so fast and it was covering the windshield instantly, instantly ! And it was getting colder in there by the second and I just thought, ‘Rosanna, this is it for you,’ you know I knew that if I stayed in the car I would fall asleep and I might freeze and die and I knew if I got out of the car with the wind and all that, then I would fall down and freeze and die. Freezing and dying was up there at the forefront of my brain of things to consider but I thought getting out, you know, walking, there’s a chance. I mean a slim chance anyway but a chance so I got out.

Interesting thing about being on the verge of death – you don’t think about the good points or the bad points of life, you just think live! And let there be someone, a light, some warmth that’s all I thought. And then I saw your light, and now, here I am.

*Pause, takes another drink, finishes the bottle.

I’ll pay for this. (small chuckle) You know Ive been on the road for days, and days and days. I don’t even know when I got in my car or where Ive been all I know is that every five hours, gas, that’s been my system. Gas, pee, eat a candy bar, drink a coke, like the engine’s inside me and the car, and (notices a bag of pretzels, starts eating them). Is it okay if I have some of these pretzels? Because it’s just about candy bar time for me and I do not see any candy bars plus its probably best I lay off the sugar. Ive had nothing to eat but sugar for quite some number of days its cheap energy but sooner or later you gotta pay the piper in case of sugar, which I’m doing now. See my hand tremble, that is a Mars bar tremble. Plus I haven’t slept in several days not that I didn’t try mind you, I was awake, with a capital W. Like lying awake was what it was like. The hours passed and the road kind of bleared behind me. So I’m tired, and I’m hungry and the fact of the matter is, Im very dirty. Let’s call is spade to spade, I am filthy and I’ve sweat too much and this dress is a very close fit even in the best of circumstances and the truth is Im in pain, just like terrible pain.

That’s the only reason why I would drink this so hard and fast and it’s not like my muscles but like inside my muscles, my dna, my genes. Ya, I think that must be it or my rna? Im not sure. I just…

Ohhh, (Lets out a sigh,) Im sorry, its this terrible pain in my dna. Im dreadfully sorry Im more sorry than I can say.

Takes a step forward, grabs the chair, faints to the ground.

Fade to black.

Blog written by Therés Amee

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