Shakespeare Monologues That Aren’t That Popular
Shakespeare monologues for men are easy to come by since most, if not all, of the Bard's plays, feature a male protagonist.
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Shakespeare monologues are easy to come by since most, if not all, of the Bard’s plays, feature many monologues. The challenge is selecting the right Shakespeare monologue to rehearse acting techniques.
Looking for more? Search all 355 monologues in our database by age, gender, tone and length.
The best monologues for actors aren’t necessarily the most difficult but the most impactful to the arc of the tale.
Although he did receive patronage from the aristocracy, Shakespeare’s dialogue captured common men and women’s tone. The language of Elizabethan England, while explicitly formal, was also imbued with a wide variety of colloquialisms.
In that tradition, here are twenty Shakespeare monologues that aren’t worked on that often.
Shakespeare Monologues For Men
01
Petruchio
The Taming of the Shrew
About 1:00
“ They shall go forward, Kate, at thy command. Obey the bride, you that attend on her; to the feast, revel and domineer, Carouse full measure to her maidenhead; Be…”
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Petruchio:
They shall go forward, Kate, at thy command.
Obey the bride, you that attend on her;
to the feast, revel and domineer,
Carouse full measure to her maidenhead;
Be mad and merry, or go hang yourselves.
But for my bonny Kate, she must with me.
Nay, look not big, nor stamp, nor stare, nor fret;
I will be master of what is mine own-
She is my goods, my chattels, she is my house,
My household stuff, my field, my barn,
My horse, my ox, my ass, my any thing,
And here she stands; touch her whoever dare;
I’ll bring mine action on the proudest he
That stops my way in Padua. Grumio,
Draw forth thy weapon; we are beset with thieves;
Rescue thy mistress, if thou be a man.
Fear not, sweet wench; they shall not touch thee, Kate;
I’ll buckler thee against a million.
02
King Richard
Richard III
About 1:00
“ As I intend to prosper and repent, So thrive I in my dangerous attempt Of hostile arms! myself myself confound! Heaven and fortune bar me happy hours! Day, yield…”
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King Richard:
As I intend to prosper and repent,
So thrive I in my dangerous attempt
Of hostile arms! myself myself confound!
Heaven and fortune bar me happy hours!
Day, yield me not thy light; nor, night, thy rest!
Be opposite all planets of good luck
To my proceedings, if, with pure heart’s love,
Immaculate devotion, holy thoughts,
I tender not thy beauteous princely daughter!
In her consists my happiness and thine;
Without her, follows to this land and me,
To thee, herself, and many a Christian soul,
Death, desolation, ruin and decay:
It cannot be avoided but by this;
It will not be avoided but by this.
Therefore, good mother,—I must can you so—
Be the attorney of my love to her:
Plead what I will be, not what I have been;
Not my deserts, but what I will deserve:
Urge the necessity and state of times,
And be not peevish-fond in great designs.
03
Othello
Othello
About 1:00
“ As I intend to prosper and repent, So thrive I in my dangerous attempt Of hostile arms! myself myself confound! Heaven and fortune bar me happy hours! Day, yield…”
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Othello:
As I intend to prosper and repent,
So thrive I in my dangerous attempt
Of hostile arms! myself myself confound!
Heaven and fortune bar me happy hours!
Day, yield me not thy light; nor, night, thy rest!
Be opposite all planets of good luck
To my proceedings, if, with pure heart’s love,
Immaculate devotion, holy thoughts,
I tender not thy beauteous princely daughter!
In her consists my happiness and thine;
Without her, follows to this land and me,
To thee, herself, and many a Christian soul,
Death, desolation, ruin and decay:
It cannot be avoided but by this;
It will not be avoided but by this.
Therefore, good mother,—I must can you so—
Be the attorney of my love to her:
Plead what I will be, not what I have been;
Not my deserts, but what I will deserve:
Urge the necessity and state of times,
And be not peevish-fond in great designs.
04
Lear
King Lear
About 1:15
“ O, reason not the need! Our basest beggars Are in the poorest thing superfluous. Allow not nature more than nature needs, Man’s life is cheap as beast’s. Thou art…”
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Lear:
O, reason not the need! Our basest beggars
Are in the poorest thing superfluous.
Allow not nature more than nature needs,
Man’s life is cheap as beast’s. Thou art a lady:
If only to go warm were gorgeous,
Why, nature needs not what thou gorgeous wear’st
Which scarcely keeps thee warm. But, for true need- Y
ou heavens, give me that patience, patience I need!
You see me here, you gods, a poor old man,
As full of grief as age; wretched in both.
If it be you that stirs these daughters’ hearts
Against their father, fool me not so much
To bear it tamely; touch me with noble anger,
And let not women’s weapons, water drops,
Stain my man’s cheeks! No, you unnatural hags!
I will have such revenges on you both
That all the world shall- I will do such things-
What they are yet, I know not; but they shall be
The terrors of the earth! You think I’ll weep.
No, I’ll not weep.
I have full cause of weeping, but this heart
Shall break into a hundred thousand flaws
Or ere I’ll weep. O fool, I shall go mad!
05
Bassanio
The Merchant of Venice
About 1:00
“ O sweet Portia, Here are a few of the unpleasant’st words That ever blotted paper! Gentle lady, When I did first impart my love to you, I freely told…”
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Bassanio:
O sweet Portia,
Here are a few of the unpleasant’st words
That ever blotted paper! Gentle lady,
When I did first impart my love to you,
I freely told you, all the wealth I had
Ran in my veins, I was a gentleman;
And then I told you true: and yet, dear lady,
Rating myself at nothing, you shall see
How much I was a braggart. When I told you
My state was nothing, I should then have told you
That I was worse than nothing; for, indeed,
I have engaged myself to a dear friend,
Engaged my friend to his mere enemy,
To feed my means. Here is a letter, lady;
The paper as the body of my friend,
And every word in it a gaping wound,
Issuing life-blood. But is it true, Salerio?
Have all his ventures fail’d? What, not one hit?
From Tripolis, from Mexico and England,
From Lisbon, Barbary and India?
And not one vessel ‘scape the dreadful touch
Of merchant-marring rocks?
06
Puck
A Midsummer Night’s Dream
About 0:45
“ Through the forest have I gone. But Athenian found I none, On whose eyes I might approve This flower’s force in stirring love. Night and silence..Who is here? Weeds…”
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Puck:
Through the forest have I gone.
But Athenian found I none,
On whose eyes I might approve
This flower’s force in stirring love.
Night and silence..Who is here?
Weeds of Athens he doth wear:
This is he, my master said,
Despised the Athenian maid;
And here the maiden, sleeping sound,
On the dank and dirty ground.
Pretty soul! she durst not lie
Near this lack-love, this kill-courtesy.
Churl, upon thy eyes I throw
All the power this charm doth owe.
When thou wakest, let love forbid
Sleep his seat on thy eyelid:
So awake when I am gone;
For I must now to Oberon.
07
Macbeth
Macbeth
About 1:45
“ Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still…”
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Macbeth:
Is this a dagger which I see before me,
The handle toward my hand? Come, let me clutch thee.
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling as to sight? or art thou but
A dagger of the mind, a false creation,
Proceeding from the heat-oppressed brain?
I see thee yet, in form as palpable
As this which now I draw.
Thou marshall’st me the way that I was going;
And such an instrument I was to use.
Mine eyes are made the fools o’ the other senses,
Or else worth all the rest; I see thee still,
And on thy blade and dudgeon gouts of blood,
Which was not so before. There’s no such thing:
It is the bloody business which informs
Thus to mine eyes. Now o’er the one halfworld
Nature seems dead, and wicked dreams abuse
The curtain’d sleep; witchcraft celebrates
Pale Hecate’s offerings, and wither’d murder,
Alarum’d by his sentinel, the wolf,
Whose howl’s his watch, thus with his stealthy pace.
With Tarquin’s ravishing strides, towards his design
Moves like a ghost. Thou sure and firm-set earth,
Hear not my steps, which way they walk, for fear
Thy very stones prate of my whereabout,
And take the present horror from the time,
Which now suits with it. Whiles I threat, he lives:
Words to the heat of deeds too cold breath gives.
[A bell rings]
I go, and it is done; the bell invites me.
Hear it not, Duncan; for it is a knell
That summons thee to heaven or to hell.
08
Troilus
Troilus and Cressida
About 1:15
“ This she? no, this is Diomed’s Cressida: If beauty have a soul, this is not she; If souls guide vows, if vows be sanctimonies, If sanctimony be the gods’…”
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Troilus:
This she? no, this is Diomed’s Cressida:
If beauty have a soul, this is not she;
If souls guide vows, if vows be sanctimonies,
If sanctimony be the gods’ delight,
If there be rule in unity itself,
This is not she. O madness of discourse,
That cause sets up with and against itself!
Bi-fold authority! where reason can revolt
Without perdition, and loss assume all reason
Without revolt: this is, and is not, Cressid.
Within my soul there doth conduce a fight
Of this strange nature that a thing inseparate
Divides more wider than the sky and earth,
And yet the spacious breadth of this division
Admits no orifex for a point as subtle
As Ariachne’s broken woof to enter.
Instance, O instance! strong as Pluto’s gates;
Cressid is mine, tied with the bonds of heaven:
Instance, O instance! strong as heaven itself;
The bonds of heaven are slipp’d, dissolved, and loosed;
And with another knot, five-finger-tied,
The fractions of her faith, orts of her love,
The fragments, scraps, the bits and greasy relics
Of her o’er-eaten faith, are bound to Diomed.
09
Sebastian
Twelfth Night, Or What You Will
About 1:15
“ This is the air; that is the glorious sun; This pearl she gave me, I do feel’t and see’t; And though ’tis wonder that enwraps me thus, Yet ’tis…”
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Sebastian:
This is the air; that is the glorious sun;
This pearl she gave me, I do feel’t and see’t;
And though ’tis wonder that enwraps me thus,
Yet ’tis not madness. Where’s Antonio, then?
I could not find him at the Elephant:
Yet there he was; and there I found this credit,
That he did range the town to seek me out.
His counsel now might do me golden service;
For though my soul disputes well with my sense,
That this may be some error, but no madness,
Yet doth this accident and flood of fortune
So far exceed all instance, all discourse,
That I am ready to distrust mine eyes
And wrangle with my reason that persuades me
To any other trust but that I am mad
Or else the lady’s mad; yet, if ’twere so,
She could not sway her house, command her followers,
Take and give back affairs and their dispatch
With such a smooth, discreet and stable bearing
As I perceive she does: there’s something in’t
That is deceiveable. But here the lady comes.
10
Antony
Julius Caesar
About 1:15
“ O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers! Thou art the ruins of the noblest man That ever lived in…”
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Antony:
O, pardon me, thou bleeding piece of earth,
That I am meek and gentle with these butchers!
Thou art the ruins of the noblest man
That ever lived in the tide of times.
Woe to the hand that shed this costly blood!
Over thy wounds now do I prophesy,—
Which, like dumb mouths, do ope their ruby lips,
To beg the voice and utterance of my tongue—
A curse shall light upon the limbs of men;
Domestic fury and fierce civil strife
Shall cumber all the parts of Italy;
Blood and destruction shall be so in use
And dreadful objects so familiar
That mothers shall but smile when they behold
Their infants quarter’d with the hands of war;
All pity choked with custom of fell deeds:
And Caesar’s spirit, ranging for revenge,
With Ate by his side come hot from hell,
Shall in these confines with a monarch’s voice
Cry ‘Havoc,’ and let slip the dogs of war;
That this foul deed shall smell above the earth
\With carrion men, groaning for burial.
[Enter a Servant]
You serve Octavius Caesar, do you not?
Any student of theatre would do well to rehearse from these monologues for men.
Shakespeare Monologues For Women
11
Helena
A Midsummer Night’s Dream · William Shakespeare
Women Teens–30s Classical · verse Play About 1:00
“O spite! O hell! I see you all are bent To set against me for your merriment: If you we re civil and knew courtesy, You would not do me…”
12
Portia
The Merchant of Venice · William Shakespeare
Women 20s–30s Classical · verse Play About 1:15
“do, chapels had been churches and poor men’s cottages princes’ palaces. It is a good divine that follows his own instructions: I can easier teach twenty what were good to…”
13
Cressida
Troilus and Cressida · William Shakespeare
Women 20s–30s Classical · verse Play About 0:45
“Words, vows, gifts, tears, and love’s full sacrifice, He offers in another’s enterprise; But more in Troilus thousandfold I see Than in the glass of Pandar’s praise may be; Yet…”
14
Lady Macbeth
Macbeth · William Shakespeare
Women 20s–50s Classical · verse Play About 1:00
“The raven himself is hoarse That croaks the fatal entrance of Duncan Under my battlements. Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from…”
15
Olivia
Twelfth Night · William Shakespeare
Women 20s–40s Classical Play About 0:45
“O, what a deal of scorn looks beautiful In the contempt and anger of his lip! A murderous guilt shows not itself more soon Than love that would seem…”
16
Goneril
King Lear · William Shakespeare
Men 20s–40s Classical · verse Play About 1:00
“This admiration, sir, is much o’ th’ savour Of other your new pranks. I do beseech you To understand my purposes aright. As you are old and reverend, you should…”
17
Calpurnia
Julius Caesar · William Shakespeare
Women 20s–40s Classical · verse Play About 0:45
“Caesar, I never stood on ceremonies, Yet now they fright me. There is one within, Besides the things that we have heard and seen, Recounts most horrid sights seen by…”
18
Kate
The Taming of the Shrew · William Shakespeare
Women 20s–30s Classical · verse Play About 1:00
“The more my wrong, the more his spite appears. What, did he marry me to famish me? Beggars that come unto my father’s door Upon entreaty have a present alms…”
19
Desdemona
Othello · William Shakespeare
Women 20s–50s Classical · verse Play About 0:45
“That I did love the Moor to live with him, My downright violence and storm of fortunes May trumpet to the world: my heart’s subdued Even to the very quality…”
20
Margaret
Richard III · William Shakespeare
Women 20s–50s Classical · verse Play About 1:00
“Bear with me; I am hungry for revenge, And now I cloy me with beholding it. Thy Edward he is dead, that stabb’d my Edward: Thy other Edward dead, to…”
Please check out more monologues for women here .
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