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Medea

Medea monologue from Medea

Medea’s monologue from the play Medea by Euripides. A dramatic piece for women with a playing age of 30s–50s, running about 4:00.

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The full speech. Read it out loud twice before you start working it.

Medea’s monologue

O my sons!

My sons! ye have a city and a house

Where, leaving hapless me behind, without

A mother ye for ever shall reside.

But I to other realms an exile go,

Ere any help from you I could derive,

Or see you blest; the hymeneal pomp,

The bride, the genial couch, for you adorn,

And in these hands the kindled torch sustain.

How wretched am I through my own perverseness!

You, O my sons, I then in vain have nurtured,

In vain have toiled, and, wasted with fatigue,

Suffered the pregnant matron's grievous throes.

On you, in my afflictions, many hopes

I founded erst: that ye with pious care

Would foster my old age, and on the bier

Extend me after death—much envied lot

Of mortals; but these pleasing anxious thoughts

Are vanished now; for, losing you, a life

Of bitterness and anguish shall I lead.

But as for you, my sons, with those dear eyes

Fated no more your mother to behold,

Hence are ye hastening to a world unknown.

Why do ye gaze on me with such a look

Of tenderness, or wherefore smile? for these

Are your last smiles. Ah wretched, wretched me!

What shall I do? My resolution fails.

Sparkling with joy now I their looks have seen,

My friends, I can no more. To those past schemes

I bid adieu, and with me from this land

My children will convey. Why should I cause

A twofold portion of distress to fall

On my own head, that I may grieve the sire

By punishing his sons? This shall not be:

Such counsels I dismiss. But in my purpose

What means this change? Can I prefer derision,

And with impunity permit the foe

To 'scape? My utmost courage I must rouse:

For the suggestion of these tender thoughts

Proceeds from an enervate heart. My sons,

Enter the regal mansion. [Exuent SONS.] As for those

Who deem that to be present were unholy

While I the destined victims offer up,

Let them see to it. This uplifted arm

Shall never shrink. Alas! alas! my soul

Commit not such a deed. Unhappy woman,

Desist and spare thy children; we will live

Together, they in foreign realms shall cheer

Thy exile. No, by those avenging fiends

Who dwell with Pluto in the realms beneath,

This shall not be, nor will I ever leave

My sons to be insulted by their foes.

They certainly must die; since then they must,

I bore and I will slay them: 'tis a deed

Resolved on, nor my purpose will I change.

Full well I know that now the royal bride

Wears on her head the magic diadem,

And in the variegated robe expires:

But, hurried on by fate, I tread a path

Of utter wretchedness, and them will plunge

Into one yet more wretched. To my sons

Fain would I say: "O stretch forth your right hands

Ye children, for your mother to embrace.

O dearest hands, ye lips to me most dear,

Engaging features and ingenuous looks,

May ye be blest, but in another world;

For by the treacherous conduct of your sire

Are ye bereft of all this earth bestowed.

Farewell, sweet kisses—tender limbs, farewell!

And fragrant breath! I never more can bear

To look on you, my children." My afflictions

Have conquered me; I now am well aware

What crimes I venture on: but rage, the cause

Of woes most grievous to the human race,

Over my better reason hath prevailed.

Public domain text.

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About Medea

Play by Euripides · 431 BC

  • Euripides's Medea was first performed in Athens in 431 BC, where it came third in the festival competition.

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