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The Piano Lesson

Berniece monologue from The Piano Lesson

Berniece’s monologue from the play The Piano Lesson by August Wilson. A dramatic piece for women with a playing age of 20s–40s, running about 1:30.

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The setup

Berniece argues in defense of keeping the piano, and thereby the ancestors’s legacy, in opposition to supporting the violent ways of Boy Willie.

Practice mode

The full speech. Read it out loud twice before you start working it.

Berniece’s monologue

You ain‘t taking that piano out of my house. (She crosses to the piano) Look at this piano. Look at it. Mama Ola polished this piano with her tears for seventeen years. For seventeen years she rubbed on it till her hands bled. Then she rubbed the blood in ... mixed it up with the rest of the blood on it. Every day that God breathed life into her body she rubbed and cleaned and polished and prayed over it. ―Play something for me, Bernice. Play something for me, Bernice. Every day. ―I cleaned it up for you, play something for me, Bernice. You always talking about your daddy but you ain‘t never stopped to look at what his foolishness cost your mama. Seventeen years‘ worth of cold nights and an empty bed. For what? For a piano? For a piece a wood? To get even with somebody? I look at you and you‘re all the same. You, Papa Boy Charles, Wining Boy, Doaker, Crawley . . . you‘re all alike. All this thieving and killing and thieving and killing. And what it ever lead to? More killing and thieving. I ain‘t never seen it come to nothing. People getting burned up. People getting shot. People falling down their wells. It don‘t never stop.

Excerpt for study and audition practice. Read the full play for context.

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About The Piano Lesson

Play by August Wilson · 1987

  • The Piano Lesson is part of August Wilson's ten-play Pittsburgh Cycle and is set in 1936.
  • It won the 1990 Pulitzer Prize for Drama.

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